Bring on the Irony
original songcraft by C. Michael Keaton
excerpt-’to take a look at truth… you must go for it
to see the goal clear enough… cannot just run to catch up
bring on the irony!!!…
a noiseless conspiracy… to hide the fears
the insane and senseless… flock to the seers
‘whor-ree-ors come out and play-ee-ay!’…’
all the Slow Children
out of Context;
‘the sluggish inner dimension blown wide open for the furnace chamber it is, the heart centered at the top of the ribs, and the pulse a dead beat rising in rhyme to the reason twisting the corpse alive… the labyrinthine threads through which the needle eye accepts only a few, the straws that break the camel’s back, and your mother becomes suddenly struck awake and alive as well… up through that rotted birth canal which we all jettison through, the womb has no other choice than to obey the fist, this the where the creative purge comes in handy, so-to-speak… the Slow Children are not necessarily retarded children, but merely socially unacceptable mental cases to some degree, this is the haunting realism to the situation currently prescribed the vacant mind through a spastic reflex media…’
Chemical Machines
original songcraft by C.Michael Keaton
excerpt; ‘just standing here in empty space
transcending beyond sex and race
stand in the light, fade into night
tripping through being a chemical machine…’
Just Another Lie
original songcraft by C.Michael Keaton
excerpt; ‘…in a sea of lies
beneath a perpetuating deity
decried, deity disguised
false face reveal your demon eyes…’
Julius Seizure
original songcraft by C.Michael Keaton
excerpt; “I am your prophet of pain; the pulpit insane
I am the one of which you cannot speak
I am the one of freakish dementia…”
Remains of the Dying Age
original songcraft by C.Michael Keaton
excerpt; ‘lavish the love for your own soul when you can
while you can hold it in your hands
before you betray the true function
rusting primordial source for reproduction…’
Senseless Within
original lyrics by Aaron Hensley
excerpt; “‘Cause there’s a battle outside
and there’s no place to hide
no escape from the violence malevolent…”